Photographer Ted Rozumalski was in New Orleans in 1964 to cover the Beatles for the Houston Chronicle. Ted was a talented photographer-he had already been recognized as press photographer of the year for his work in 1963, an honor he would again receive for his 1964 photos. His photographs appeared in National Geographic, Time, Newsweek, Life, and Sports Illustrated. Eighteen of the 147 photos he took in New Orleans that day are included in Beatles Day in New Orleans, some of which have never been previously published.
At the Beatles press conference, Mayor Vic Schiro had the Beatles sign his Proclamation declaring September 16, 1964 "Beatles Day in New Orleans." He later announced that he would give a copy of the autographed Proclamation to any young fan who wrote him requesting one. He was soon deluged with thousands of requests.
I was interviewed on WWL TV in New Orleans on Monday. I was lucky to get Eric Paulsen, who was a good friend of Fats Domino, doing the interview. He liked the book a lot and gave it a great review. Here is the link to the interview:
The Beatles were not taken seriously by the adult world in 1964. Their "music" was noise, they were a fad, and nobody would know who they were in a year (1965). This opened the door for four teenagers to be appointed as special correspondents to cover the Beatles in New Orleans by newspapers in Baton Rouge & Jackson Mississippi, including the brother and sister team of Florence and Stan Hughes, shown in this photo. In Beatles Day in New Orleans all four "teen reporters" recount how they finagled their way into the press conference and concert, what it was like to meet the Fab Four, and the chaos, bedlam, and hysteria of Beatlemania.
Clarence "Frogman" Henry, an opening act for the Beatles 1964 American Tour, has lived in the same home in the Algiers section of New Orleans since 1961. Also occupying his home are lots and lots of frogs—hundreds of stuffed frogs and other forms of the amphibious croakers, covering his grand piano and every shelf and nook of his house—gifts from fans and fellow performers.
I asked Frogman if he ever turned down a frog.
"Never!" he emphatically replied.
My hunt to find a frog that would be unique to his collection resulted in the croaker he holds in this photo.
On September 2, 1964, New Orleans rhythm and blues artist Clarence "Frogman" Henry joined the Beatles tour as an opening act, in replacement of the Righteous Brothers, who quit the tour after one too many nights of "WE WANT THE BEATLES!"
Frogman came from a musical family and some of his earliest memories were the sounds of his father sitting in bed at night, playing the guitar, and singing to his mother lying beside him.
"I've got it on my calendar. Who are those guys again?"
The Beatles are penciled into Mayor Schiro's calendar for 8:00 p.m., September 16th at New Orleans City Park, with a notation to "follow up for names" for the Certificates of Honorary New Orleans Citizenship.
"My God, let's get 'em outta here before somebody gets killed!"
—August 19th, 1964
The Beatles arrive at the San Francisco airport for their first concert date of their American tour. Five thousand fans are waiting. As soon as the Fab Four step onto a wooden platform surrounded by a five-foot chain-link fence to greet the crowd, a title wave of fans surge against the fence, some trying to climb over. "My God, let's get 'em outta here before somebody gets killed!" yells a police official, and the Beatles are loaded into their limousine and beat a hasty retreat, moments before the fence collapses. It was a sign of things to come.
We never play to segregated audiences, and we're not going to start now."
—John Lennon during the '64 tour
During the spring of 1964, when the contracts with local promoters for the North American Tour were being negotiated, the Civil Rights Act had not yet become law, but the Beatles were adamant that they would not play if the audience was segregated, and their performance contracts included a clause to that effect.