Photographer Ted Rozumalski was in New Orleans in 1964 to cover the Beatles for the Houston Chronicle. Ted was a talented photographer-he had already been recognized as press photographer of the year for his work in 1963, an honor he would again receive for his 1964 photos. His photographs appeared in National Geographic, Time, Newsweek, Life, and Sports Illustrated. Eighteen of the 147 photos he took in New Orleans that day are included in Beatles Day in New Orleans, some of which have never been previously published.
At the Beatles press conference, Mayor Vic Schiro had the Beatles sign his Proclamation declaring September 16, 1964 "Beatles Day in New Orleans." He later announced that he would give a copy of the autographed Proclamation to any young fan who wrote him requesting one. He was soon deluged with thousands of requests.
I was interviewed on WWL TV in New Orleans on Monday. I was lucky to get Eric Paulsen, who was a good friend of Fats Domino, doing the interview. He liked the book a lot and gave it a great review. Here is the link to the interview:
On September 2, 1964, New Orleans rhythm and blues artist Clarence "Frogman" Henry joined the Beatles tour as an opening act, in replacement of the Righteous Brothers, who quit the tour after one too many nights of "WE WANT THE BEATLES!"
Frogman came from a musical family and some of his earliest memories were the sounds of his father sitting in bed at night, playing the guitar, and singing to his mother lying beside him.
"My God, let's get 'em outta here before somebody gets killed!"
—August 19th, 1964
The Beatles arrive at the San Francisco airport for their first concert date of their American tour. Five thousand fans are waiting. As soon as the Fab Four step onto a wooden platform surrounded by a five-foot chain-link fence to greet the crowd, a title wave of fans surge against the fence, some trying to climb over. "My God, let's get 'em outta here before somebody gets killed!" yells a police official, and the Beatles are loaded into their limousine and beat a hasty retreat, moments before the fence collapses. It was a sign of things to come.
We never play to segregated audiences, and we're not going to start now."
—John Lennon during the '64 tour
During the spring of 1964, when the contracts with local promoters for the North American Tour were being negotiated, the Civil Rights Act had not yet become law, but the Beatles were adamant that they would not play if the audience was segregated, and their performance contracts included a clause to that effect.